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live video mixing and projection animation production club live dance beats breaks sound video music alienation funk strobe arse biscuit eclectic
Projection
Live
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dance music funk jazz soul beat drum bass cheese house techno rave trip hip hop broadcast transmit media multimedia art feed stream
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To resolve this contradiction, one must abandon the assumption
that the image contains and shows fidelity to its
referent. This in turn means that one can no longer use the
code of causality as a means of image continuity. Preferably,
one should use liquid associational structures that invite
various interpretations. To be sure, all imaging systems are
mediated by the viewer: The question is, to what degree? Few
systems invite interpretation, and hence meaning is imposed
more often than it is created. Many producers, for fear of
allowing interpretation to drift out of control, have shunned
the use of associational structures for politicised electronic
imaging. Further, associational films tend towards the abstract,
and therefore become confusing, making them ineffective
among the disinterested. These problems prompt the eternal
return to more authoritarian models. The answer to such
commentary is that the viewer deserves the right to disinterest
and the freedom to drift. Confusion should be seen as an
acceptable aesthetic. The moment of confusion is the precondition
for the scepticicism necessary for radical thought to
emerge. Te goals then of resistant nonfiction video are
twofold: Either to call attention to and document the sign
construction of simulation, or to establish confusion and
scepticism so that simulations cannot function.
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...߀ function.. . . . ...
Twisted beats
Command line options . . Configuration
back buffer . . . Troubleshooting
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